Songwriters - Song Shaping

Shape the flow and structure of your song to give it maximum potential

http://www.kimcopelandproductions.com

Writer/Singers - Creative Responsibility

Creative Responsibility

By Kim Copeland

We are all in a different place on our songwriting journey.  Some of us are great musicians, some beginners. Some of us are great singers, some can’t carry a tune.  Some of us have natural rhythm, some struggle to keep a steady tempo.  Some of us are poets while others of us ramble aimlessly, confusing the listener as we go.

Kim Copeland
Music Producer

The beauty of this ever shrinking world we live in is that you are never far away from someone whose strengths compliment your weaknesses.  As you identify and own your strengths and weaknesses you can, and should, seek out fellow creative beings that can fill in the gaps for you and improve your chances of songwriting success and fulfillment.  In doing so, you will become more self sufficient and better able to take responsibility for your songs.

 “Songwriting” means something different to each of us.  We all use the gifts we have and try to find some basic understanding of those we aren’t blessed with in hopes of improving our songwriting experience.  This process can be fulfilling or frustrating; often times both.   It should help to know that you do not have to be a great musician or singer to be a great songwriter.  If you can feel or hear your idea, you can find a way to express it and present it to the world.  It isn’t hard to cast a creative team to fill the roles you can’t.

Here are some key elements to creating a good, commercial song and where the creative responsibility lies for each.

1. Rhyme Scheme - Songwriter

2. Song Structure – Songwriter/Producer  (You should have the basic structure down, but be flexible in case musicians or producer come up with some creative modifications in the studio that you had not thought of.)

3. Attitude – Songwriter/Producer (Production should enhance it, but you should know what attitude you are going for before you get into the studio.  If you cannot express it, use other commercial songs as examples to illustrate this to musicians, vocalists, producer, etc.)

4. Emotion – Songwriter/Producer (Though production should enhance and showcase the emotional impact of the song, it is the writer’s responsibility to create the emotion in the lyric and melody.)

5. Range – Songwriter/Producer (You should have the range of the melody written to showcase the lyrical emotion. The producer and/or singer may embellish it somewhat to match the musical track.)

6. Phrasing – Producer/Songwriter (Though you should have the melodic and lyrical phrasing written into your song, you should also give the musicians, producer and vocalist some latitude with them to allow the song to evolve in the creative process of recording it.)

7. Melody ad lib – Producer/Vocalist/Songwriter (Whether you are singing your own demo or hiring a professional demo singer, be open to exploring ad libs that can enhance the emotional impact of your song.)

8. Instrumentation (chord voicings) – Producer/Musicians/ Songwriter (You may have chord voicings that work great with one guitar, but not with a full band.  Sustained chords, sevenths, etc should be used as coloring.  Trust the producer to find the compromise that brings out the flavoring you like without letting it interfere with the vocal and musical theme of your song.)

9. Musical signature lick, groove, arrangement, vocal harmonies and background vocals, vocal and musical phrasing – Producer/Songwriter/Musicians (You may have a signature lick written into your song, If so, let the producer build it into the full production to fit the groove and attitude of your song.  If you have ideas on harmony and background vocals, that is great.  But if you don’t hear these things, the producer will.  This is not something that you have to provide as the songwriter.   All of this falls under the umbrella of production.  Your producer should work with you to incorporate your ideas into the big picture in the way that best serves your song and your goals for the recording.)

Whether or not you are a great musician, singer, or linguist, your responsibility as a songwriter is to present your idea in a clear way that the audience can easily follow and be drawn into, and to move the listener emotionally.   Few of us can do it all.  Focus on the elements that you can do well and seek out others to help with the rest.  By learning where to put your energy to good use and where not to waste it, you can relax and focus and make better use of your creative time and energy.

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Songwriters - The Power Of Simplicity In Songwriting

The Power of Simplicity in Songwriting

By Kim Copeland

Most up and coming songwriters have been told at least once to “be original”.  Try to say something that hasn’t been said before or to say it in a new way.  Easier said than done, right?

…Maybe so. 

Kim Copeland
Music Producer

Too often we strangle our creativity by trying to be too profound, too clever, too original.  Listen to the radio.  Most radio hits contain elements of familiarity combined with a new twist.  They aren’t reinventing the wheel. They just give us enough new to make the old sound fresh. 

Listeners want to feel engaged and comfortable while listening to songs.  They don’t want to think as much as feel.  Music is more emotional than intellectual.  Complex lyrics and musical structures have their place, but in commercial songwriting, they are rarely the songs that “break” songwriting careers.  Those songs are written for the writer, not the audience.  If you hope to find commercial success as a songwriter, you owe it to yourself to try to understand what listeners respond to.  Why they are drawn to some songs over others.  What makes them willing to pay for some songs so they can listen to them over and over again?

Simplicity is a powerful tool in songwriting.  If you can wrap a deep message within a catchy, repetitive melody, you’ve got a hit.  If you can create a groove that makes the listener immediately feel comfortable wanting to move to it, you’ve got a hit.  By combining simple elements that any listener can get involved with easily and quickly, and original elements (whatever you do differently than anyone else), you create a fresh, new product that can attract a mass audience. 

When you play to your strengths by doing what comes naturally to you, you make writing songs easier and you write better songs.  Keep it simple by identifying elements that work for you and combining them in a way that works for audiences.  

Study what people respond to about your songs.  Once you have identified it, let that be the unique factor that you showcase in all of your writing.  It could be your language; the way you express yourself or your ideas.  It might be your musical gift; the chord voicings you use or the particular texture and tone of your instrument, be it guitar or voice.  Perhaps you feel grooves and phrasing that is different and hooks people into your songs.  

Study hit songs from several genres, and try to determine what about the song is infectious to listeners. Is it the groove, the hooky message, the musical riff, the sing along melody?  Next, choose one element from each of two or three different hit songs, and combine them with one of your lyrical ideas.  Maybe a repetitive chord structure from one song combined with the groove of another.  Now add your original lyric to it and see if it gives you a presentation for your song that now contains some proven elements with some fresh new ones.  Almost every hit song has something that is familiar hidden within it, either by design or accident.

I am certainly NOT encouraging you to plagiarize anyone’s work; but studying it, learning from it and using that knowledge to help you break through the wall of commercial songwriting is encouraged.  We are all conglomerates of what we have seen, heard, felt, and absorbed.  By using your experiences, talents and personal musical tastes you will create an original voice for yourself as a songwriter.  Hopefully, one that will help you stand out as original while attracting a mass audience.

When you hear “be original” and “this is a little TOO different – I don’t know what to do with it” in the same conversation, perhaps you are trying too hard.  Try being original within the structure of familiarity and see if not only makes your songwriting life easier, but also elevates your standing in the commercial market.

You can find more info about Kim at www.kimcopelandproductions.com